CONTAX CLUB Carl Zeiss 討論區

[img]http://images4.fotop.net/albums4/Turtle/tmax100clothst06/08610012_G.jpg[img]

[img]http://images4.fotop.net/albums4/Turtle/tmax100ytmsnaps/08610021_G.jpg[img]

It does not seem to be anything to do with skill, or persistence, or the quality of the water used to make up the processing solutions, or anything else, quantifiable or unquantifiable. It is just that some people get on with it, and some don’t. We are actually fairly indifferent to it: it is all right, but we would far rather use Ilford’’s Delta 100. There are others who would say the exact opposite. What we have tried to do in this book, therefore, is to give guidelines which will help you to decide how to choose film, rather than telling you which film to choose – and once you have chosen it, we tell you how (in our experience) you can get the best out of any film, regardless of who made it. Maybe there is a degree of alchemy, or even real magic, in photography: how you feel about your film will influence the result you get from it. (Roger Hicks and Frances Schultz - The Film Book)

More

http://www.fotop.net/Turtle/kodaktmax100

My album:

www.fotop.net/Turtle

It does not seem to be anything to do with skill, or persistence, or the quality of the water used to make up the processing solutions, or anything else, quantifiable or unquantifiable. It is just that some people get on with it, and some don’t. We are actually fairly indifferent to it: it is all right, but we would far rather use Ilford’’s Delta 100. There are others who would say the exact opposite. What we have tried to do in this book, therefore, is to give guidelines which will help you to decide how to choose film, rather than telling you which film to choose – and once you have chosen it, we tell you how (in our experience) you can get the best out of any film, regardless of who made it. Maybe there is a degree of alchemy, or even real magic, in photography: how you feel about your film will influence the result you get from it. (Roger Hicks and Frances Schultz - The Film Book)

More

http://www.fotop.net/Turtle/kodaktmax100

My album:

www.fotop.net/Turtle

A film is good only in the eyes of the beholder.

So, here is a question for you:

How discerning are your eyes?

(Translation: Looking at the photos posted,
what is your comment on the mid-tone reproduction?)

_________________
Would you choose the Rollei or the hassle?

對黑白菲林我依然係新手，所以有錯請指教。

Ilford Delta其實同TMax都係同一個Series...
Delta 其實在光位和暗位的Latitude比TMAX高，反差比較強，Tmax的灰諧比Delta好，Delta要仲得好要找一家好的Lab，如果唔係好易出事，或者你可以Pull佢個ISO

Ilford 的HP5 FP4 同Kodak Tri-X都係好多年前的菲林，而且係你老豆、亞爺那時所用的同你現在在印相店買的差不多是同一個Chemical 成份。
所以在Grain方便佢係好RAW FEEL..........比較有原始美，而且佢的latitude係好強，光暗位之間有三EV都可以拍到一點點出來，不會死黑死白。

所以個人現在最喜歡的黑白菲林是Ilford HP5 和Kodak Tri-X

而用過一筒Ilford 3200拍了朋友的Wedding Day.........真係好正，好有Feel.........而且不用閃燈在室內拍又有一番風味，佢的Grain好粗，但粗得來好有質感，而且好有journalist feel

應該係PUSH，等佢入小些光，Normal仲的時候可以冇咁光。

係打錯字 "沖"